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Olympus Has Fallen (2013) Review

Original review posted on IMDB, here.

If you’re looking for an action film straight out of the 90’s but stuck in the present day, you’ll arrive at Olympus Has Fallen. We’re initially led to believe that this might offer a story of personal redemption, when it’s in fact a rudimentary action flick with little purpose beyond entertaining the regular American viewer.

There’s nothing wrong with offering a film such as this, so long as its entertaining. And, thankfully, Olympus Has Fallen offers enough enjoyable and compelling moments to keep its viewers watching with some degree of interest. No, the characters are not compelling and far from fully developed, and that’s not necessarily the point. The point here is to keep the audience entertained and occupied, which is done sufficiently, if in an inconsistently effective manner.

Gerard Butler does what he has to, being the fairly routine action hero a la John McClane, which is a bit of a shame since the opening act alludes to so much more. But by the second half, just about all potential for actual exploration is cast aside. Aaron Eckhart is a likable actor in all of his performances, even in one as underplayed as this. There’s also a potentially strong predicament foreshadowed early on that could’ve been utilized to give the film a great edge, but it’s ultimately abandoned for the routine action movie wrap-up. Meanwhile, everyone’s favorite key player, Morgan Freeman, really seems bored in each scene, as if he’s only there to occupy the cameraman’s attention.

As you can probably guess, both the plot and characters are thin, with only implied potential separating the key players from even more routine movies (which isn’t saying much). The action and tension are where Olympus Has Fallen is left to shine, which it does during the time is plays. Looking back, however, it’s far easier to pick the movie apart. You’ll be entertained while watching it, but left banging your head shortly after leaving the theater.

Given the lackluster stream of movies released so far this year, Olympus Has Fallen is able to make enough room for itself. Taken into account with other action films, however, there’s little (if anything) to truly make it stand out. There’s a sense of identity crisis here, as the film is more or less lost in another time period and suggests more than it delivers. For my money, it’s decent popcorn entertainment, but not much else.

 
 

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The Pixar Retrospective: A Bug’s Life

Toy Story didn’t just take the world by storm, it was the storm.  Even though we always get movies meant for little more than marketing, Toy Story had the substance to make many of us forget that.  So when the insect-focused follow-up, A Bug’s Life, took to the big screen, similar quality was expected.  And while this is another quality release, it ranks quite low on my ordering of Pixar films.

The story is essentially one of outcasts; Flik is the creative oddball, Dot is the somewhat rebellious child hoping fly, the princess is facing the pressure of one day leading the colony, the circus bugs are working out of their familiar yet unsuccessful environment, etc.

Our villains are a group of grasshoppers, led by Kevin Spacey, trying to keep the ants in their place.  Like the ant colony, only a couple or so of the grasshoppers stand out, since a decent chunk of the movie is saved for the circus bugs.  These characters are really what made the film for me, since the rest of the characters just felt too conventional and left very little impression on me.  And when you miss out on that, the film loses a lot of its impact.  Yes, the story works and there’s nothing necessarily “wrong” with the characters, it just isn’t very fascinating, a few visual moments aside.

In a way the circus bugs are the film’s saving grace and precisely why I’d come back to watch it again.  My favorite would probably have to be the ladybug, partly because he’s given more time and has so many memorable scenes.  And while I can recall almost every moment from the film, this is more out of how many times I had to watch it as a kid, as opposed to its actual memorability.  If I’d only seen it a couple times, the circus bug scenes would probably be 95% of what I’d recall.

The number of people either satisfied or disappointed by A Bug’s Life seem to be about equal.  It’s sort of fallen out of most people’s memories, and that’s not without reason.  Compared to Toy Story and especially many other Pixar films, this one doesn’t have much to help it stand out.  Don’t get me wrong, this is far from a bad movie, it’s just a very conventional one.  Some people think the film deserves a sequel, and while I’m open to the idea, the movie wraps up in a way that we don’t need a revisiting.  Then again, I’d say the same thing about most Pixar films, except for The Incredibles, so that shows where my word goes.

 
 

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A Look Back: 2012 in Film (Part I)

I’ve been contemplating just how and when to provide my thoughts on the films of 2012.  This is the year I saw more new releases than any other, with the current count topping 30.  I thought about doing the usual Top 10 list with a few honorable mentions, but the more I thought about it, the more I realized this has been a very comprehensive year for me.  And with pondering came the idea to make this an equally comprehensive look back.  This is why I’ll be going through 2012’s releases over the course of a three part blog.  The first part will feature the first half of the movies I saw, according to release.  The second part will cover the remaining half and the third will provide my ranking of every film, along with the movies I wanted to see but missed out on for whatever reason.  With that, let us begin my look back at the movies of 2012.

Haywire

First up on the calendar is Steven Soderbergh’s Haywire, one of the few films I actually held off on until it hit home video.  Let’s just say I’m glad I didn’t pay a penny to see this shoddy mess.  If you look up “haywire” in the dictionary, you’ll find it means “erratic” or “out of control,” which is exactly what this felt like.  Except it’s erratic in a disjointed, juvenile and amateurishly handled way, as opposed to being genuinely gripping.  The plot is cluttered, the characters aren’t worth investing in, the acting borders on atrocious and the low budget production style lends nothing to a film that, in turn, lends nothing to us.

Wanderlust

Next we have Wanderlust, a film that seemed to divide audiences with both its content and humor.  I’m open to most any style of film so long as its done right, something Wanderlust doesn’t grasp.  Like Haywire, I caught Wanderlust after its home video release, and it was a weary reminder as to why I like to trust my sagging gut.  This movie commits a huge crime that so many comedies are guilty of: lacking laughs.  Hell, forget laughs, entertainment is an even more criminal absence.  Were it not for the fact this was one of the few films of 2012 I disliked, Wanderlust would likely remain in my forgotten bin.  So bravo, Wanderlust, you achieved memorability for being that much closer to sheer atrocity.

Project X

I enjoy a good time as much as the next person, with or without drinking.  Parties can be a fun break from reality, though they seldom are.  Project X looked about as promising as that gigantic end of the semester party littered with everyone you hate from middle school.  I just knew that if I got the chance to see it, I’d utter nothing but the most disparaging remarks.  Then the film itself caught my interest and before long, my attention was sustained.  Much of the key events in Project X are genuinely eye catching which, combined with its proper amount of exposure, makes for a far more engaging watch than I ever conceived.  Now, I can’t take things out of proportion and say this was a good movie, but it was surprisingly enjoyable.  What makes it even more so is that this came out when so few films could even achieve any form of entertainment.  As such, it was the perfect break from a long, lethargic slumber.

21 Jump Street

21 Jump Street is yet another film I didn’t catch in theaters, primarily thanks to the unappealing trailers.  My gut impressions weren’t far from those for 2010’s Rise of the Planet of the Apes, which appeared dead, pointless and unconvincing.  But as you probably know, Rise was a very good film, remaining one of the greatest surprises I can recount.  In some ways, 21 Jump Street was also a pleasant surprise.  It’s definitely not on the same level as Rise, but what amazed me was that the film worked at all.  Laughs aren’t necessarily a constant, but entertainment was in sufficient supply, allowing my attention to actually go somewhere.  The film is very self-aware of its silliness, which is used to its advantage.  Is it a favorite?  Absolutely not.  Is it a good time regardless?  Very much so.

The Hunger Games

Not counting re-releases, The Hunger Games was my first theatrical viewing for 2012.  I went into this film almost completely blind, knowing only that it was similar in premise to Battle Royale.  Ultimately, it proved to be a fulfilling watch, remaining a memorable piece despite losing some of its edge after subsequent viewings.  The marketing was surprisingly well done, since very little of the actual Hunger Games were shown.  Lawrence puts on another solid performance alongside Woody Harrelson and, to my surprise, Lenny Kravitz.  We get a lot of brief looks into the depicted world, which is visionary without being self-indulgent.  This helps avoid overexposure, but I can’t help but want more, even with a nearly 2 1/2 hour runtime.  I’m actually about halfway through the first book, and have to say what I’ve read is adapted rather faithfully.  Both the book and film are solid works; neither are the top players of their respective styles, but there isn’t too much I can complain about.

Lockout

The title of this movie is Lockout.  I’d call it Guy Pearce’s One Liners.  Beforehand, I figured this would at least be a fair sci-fi romp.  Not long into the movie, I was ready to call it a night.  There’s a distinct lack of personality here, aside from how ineffective everything is.  The premise?  Tired and occasionally sporadic.  Main character?  Schwarzenegger would be proud.  Our villain?  A poorly handled maniac.  Investment?  Minimal to the very degree.  Lockout did little beyond slowly tiring and annoying me, only to become a film I’m happy to push out of memory.

The Avengers

Now we have The Avengers, the big money-maker of 2012.  There’s really no hiding the fact few films even touch The Avengers for sheer entertainment value.  The nerd and geek spectacle here is Category 7.  If nothing else, the final act warrants the price of admission alone.  Comical and awe-inducing moments run a constant, with just enough drama to remind us this isn’t merely a playful simulation.  Most will probably agree when I say this is a film you watch simply for fun at its most pristine level.  Anyone who actually doesn’t want that should stay away.  Those same people should also get their priorities straightened out.

The Dictator

Hopes for fun times ran high after The Avengers, something The Dictator couldn’t deliver enough of.  Crudely offensive and gratuitous material is what Sacha Baron Cohen is all about.  While it worked in a movie like Borat to wonderful degrees, here the comedic effects began to feel increasingly forced, leading to less and less fulfilling moments.  I can recall a considerable number of scenes from Borat, having seen it only a couple times.  The Dictator?  I’d be lucky to recollect half a dozen.  To say The Dictator was completely lacking is a harsh exaggeration, but I wouldn’t enthusiastically sit through it again.  It’s a load of heavy-handed offense, sprinkled with sparingly (but crassly) enjoyable moments.

Men in Black 3

Once again, we have a film I skipped out on seeing in theaters.  Almost nothing in Men in Black 3’s previews grabbed me, and despite not feeling so negative about the second film, I couldn’t justify spending primetime money on a stale-looking threequel.  Skip ahead one at-a-friend’s home viewing later and I’ll say it’s actually worthwhile in some regards.  The emotional arc, though debatably inconsistent, does make for a good way to help things come full circle.  Laughs are far from frequent, the villain is beyond weak and entertainment is in the so-so to relaxing range.  But our characters are colorful, usually fleshed out and when all is said and done, we could’ve certainly had a worse conclusion.

Moonrise Kingdom

The journey to Moonrise Kingdom was one ripe of frustration for yours truly.  I say this since no theater around me showed it, which mixes horribly with high anticipation.  Thankfully, by the time I did see this strange, unorthodox product, I had little to complain about.  Moonrise Kingdom definitely gets a nod for most unique feature of the year, as well as the most quirkily charming.  The ensemble cast is in terrific form, with the younger actors proving to be among the best in my entire memory.  These aren’t easy characters to play, especially considering their age, but they fit the roles wonderfully.  Even when deadpan and alarmingly stoic, you can’t help but be brought in.  Moonrise Kingdom is just like opening an odd yet colorful children’s book, one that withstands repeat readings through adolescence and into adulthood.

Snow White and the Huntsman

I have a sneaky suspicion that Snow White and the Huntsman’s relationship with me isn’t far from how everybody’s first special someone turns out.  The more I saw leading up to it, the more interested and hopeful I grew.  Then the film came out and I was left feeling…stumped.  A number of things definitely worked, namely the look and atmosphere.  Charlize Theron generally made for an effective villain, but she wasn’t as fully realized as I longed for.  Something that truly crippled the film was Snow White herself, who hardly says or does anything.  Aside from “you should know, you’re the one hunting me,” I can’t remember a single line she spoke.  Kristen Stewart isn’t a bad actress, but she isn’t up to par for silent emoting, which is an improper direction to take with Snow White’s character.  There’s a great movie here, but it’s buried underneath a slumbering mud pile which we endure for too much of the runtime.

Prometheus

Even with the likes of Bully and Zero Dark Thirty, I don’t think any film has or will top the controversy of Prometheus for some time.  Outrage has followed and literally ravaged this film from every angle.  I suppose I can consider my shield null and void when I reaffirm my praise for the film.  I’ve always been fascinated by the universe and lore of the Alien franchise from a conceptual standpoint.  The ideas and glimpses we’re afforded are always enjoyable and, if nothing else, visually interesting.  Call it a tease, bait and switch or complete and utter ploy if you must, Prometheus at least maintained my attention.  Do tired cliches of its genre(s) make their way into the current cut?  Yes.  Does the idea of waiting even longer for more answers frustrate me?  To a degree, but that’s part of the point.  A few questions are answered while more are posed, and just because we have questions doesn’t mean each will (or should) be resolved.  This is something the film poses at its very core during at least one scene, which rings true with the very beginning of the Alien plotline, as well as our own impulses as human beings.  It’s the kind of film that gets you thinking more and more the deeper you dig down, which in itself is something I personally admire.  An arbitrary compliment, perhaps, but someone or something has to ignite further discussions for us.

Rock of Ages

I once described Scott Pilgrim vs. the World as an excellent case for the legalization of select substances.  Subsequently, Rock of Ages is a film that I urge adults (of age) to see with drinks lined up for sips and shots aplenty.  Oh, and they might want to have 9-1-1 on standby.  Here we have a movie cheesy enough to make cholesterol levels spike to terminal levels.  Let’s just say it’s a miracle people weren’t diagnosed upon leaving their theater.

Brave

Two things kept me from watching Brave in theaters: audience and reception.  Disney and Pixar cater to kids, which oftentimes translate to some of the worst possible moviegoing experiences.  That and despite a generally positive recommendation, some people really picked the film apart.  It wasn’t until the end of my recent Pixar wrap-up that I decided to sit down and watch the film.  The first and most obvious part to address is that Brave looks incredible.  Several scenes and shots are convincingly life-like.  People make arguments that animation still has a ways to go before it can make a convincing case for reality.  To them I say watch Brave on Blu-ray.  For me, Brave was what you could call a tease.  The set up and setting promise something big, bold and interesting.  In a way that’s what we get, if by big we mean big to a child, bold referring to the sheer concept of the film’s catalyst, and interesting in regards to what’s suggested throughout.  The film seems to promise more than it delivers, and when there’s so much at the studio’s disposal, it comes off as underwhelming.  Now if we take the film for what it is, at face value, it’s not bad at all.  It is rather silly, I’ll admit, but if you go along with it the story can maintain your interest, providing a good dynamic between two of the characters.  To say it’s better than Cars 2 is a given, but the same can’t be said for it returning Pixar to their former glory.

Seeking a Friend for the End of the World

It seems to have become a pattern for the worst movies I experienced this year to be utterly forgettable.  If not that, then they fail to make much of an impression for much of the runtime.  Seeking a Friend for the End of the World sadly fits the latter category, since this is a film I really wanted to enjoy.  It simply never managed to grab me.  Much of what we need is in place: an impending scenario, decent character types, motivation to keep at least one of them going, moments aiming for comedic and dramatic effect, etc.  Yet none of it ever pulled me in.  Much of the movie falls on its characters who, in some ways, are different from what we typically get.  This would be great if I had a care in the soon-to-end world for them, which I didn’t.  And a film that fails to make me care fails to get more than a shrugged mention.

The Amazing Spider-Man

I’ve already mentioned that a couple films took me by surprise in 2012.  But if I had to pick one which completely exceeded my expectations and became a true favorite, it’d be The Amazing Spider-Man.  Not every promise made from the previews and trailers was kept, but at the very least we got a more grounded and realistic origin story.  Granted, this means a lot of familiar ground is covered, but the film shows it’s less the content and more the execution that matters.  The characters, especially Andrew Garfield and Emma Stone as Peter Parker and Gwen Stacy, respectively, are tough to not get behind.  Their interactions and dynamics, among others, are why I felt so gripped and transported.  Not many films get me hoping for them to go on for double their runtime (or more), but The Amazing Spider-Man achieved just this.  I don’t care if we’re seeing much of the same stuff or if our villain is less than remarkable, there’s so much more that I managed to cling to and joyously savor.  For that, it effortlessly holds up as one of my favorite movies from 2012.

The Dark Knight Rises

Now the big guns are coming out.  As of my initial viewing(s), The Dark Knight Rises stormed onto the top of my favorite movies of the year, looking down at the competition with disdain.  Here we had a re-envisioned character coming full circle in a tour de force, featuring another great villain, visual/audio marvels and strong emotional payoff throughout.  By the time I saw the film a third or fourth time, however, things began to look gloomy for what is, in itself, a gloomy movie.  The Dark Knight Rises is a tough film to get into on that level without exposing certain details, the least of which is its ending.  What I’ll leave this brief recap at is that the film remains enthralling, if inconsistent.  Scenes with a scene-commanding Bane and scene-stealing Catwoman are among the film’s best moments, while parts getting into the nitty-gritty plot are, much like The Dark Knight, less engaging.  Subsequent viewings have only made its cracks all the more apparent, which might not cripple it the way they do Bruce Wayne, but they’re not doing it any favors either.

 
 

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Killing Them Softly (2012) Review

http://upload.wikimedia.org/wikipedia/en/6/64/Killing_Them_Softly_poster.jpg

Killing Them Softly plays out like a rough draft; watching it makes you feel like a professor grading one of his student’s submissions.  You find worth and potential along with one or two things it really wants to get across.  But too much gets in the way.  There are scenes which drag on into filler territory, parts that fail to engage the audience and, sadly, it all leaves us watching something, as opposed to experiencing it.

The mob/hitman story here is very localized, which does lend some grounded reality.  It’s actually refreshing to see mob card games being run in a sub-par household, as opposed to (just) an underground location with space to walk and stand.  A very heavy-handed theme is meant to drive home this low-life persona the film just bathes in, even when the scenes take place in a luxury car.  The problem, however, is that the message isn’t driven so much as barreled through you like the elders speeding into (and around) the houses from South Park.

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A few good stands are assumed by the talented cast who, though usually underutilized, work with what’s available.  While Brad Pitt is convincing he isn’t stealing scenes from anyone.  If anything, Scoot McNairy and Ben Mendelsohn, portraying embodiments of the aforementioned low-life persona, are the real stars.  Much of this is thanks to the fact that, for the first 20-45 minutes, it feels like the movie belongs to them.  Pitt isn’t even on-screen for much of the first act and by the time he’s introduced, it’s tough to imagine him having a larger role.  He ultimately feels like a smaller piece, meant to carry something that’s just too heavy for his shoulders.

Without a sense of cohesiveness or decisive direction, Killing Them Softly winds up sifting when it should be exploring.  Sadly, the extent of its exploration is too forced for what could’ve stood so much better without any of the overdone finger-pointing.  If there’s anything the film has to say that it doesn’t repeat more times than a pop song chorus, it’s that projects don’t work without being consistently handled or truly overlooked prior before submission.

 
 

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Quote Review: Sleeping Beauty (1959)

“Royalty, nobility, the gentry, and……oh, how quaint – even the rabble.”

Far from an evenly paced or even consistently put together movie, Sleeping Beauty offers a good share of the best and worst aspects Disney are known for.  But like the tale itself, what’s good outweighs the bad (or lesser, in this case).

 
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Posted by on November 21, 2012 in Film, Film Review, Movie Review, Movies, Review

 

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Lincoln (2012) Review

It’s tough to say what we have more of: Movies that Steven Spielberg attaches his name to, or the number of reviews for Steven Spielberg movies.  Maybe Mr. Spielberg should take his name and endorse my reviews so views and comments will finally pop up.

The hype surrounding Daniel Day-Lewis as President Lincoln has swelled so much that it seems to have left Anthony Hopkins as Alfred Hitchcock in the dust.  Does anyone else find it creepy how close Anthony Hopkins name is to Anthony Perkins from Psycho?

But enough digressing, we’re here to talk about a movie guaranteed to sweep up Oscars simply for being the cinematic equivalent of a typecast.  And if you think Oscar bait can only work so many times, need we remember the eye-rolling predictability of The King’s Speech winning Best Picture two years ago?  The very premise of Lincoln is a catalyst for what the senile blokes at the Academy are suckers for: Lincoln’s strives to pass the thirteenth Amendment.  Some have even taken the film’s plot as reason to stake claims that it really isn’t about Lincoln, that the film deserves–get this–a different title.

This type of claim only then begs the argument: Just where does the focus lie?  Is it really on Lincoln or the days leading up (and in) to the abolishment of slavery?  Or is it really about the role Lincoln played in the closing days of the Civil War, leading to one of history’s greatest landmarks?  It’s ultimately one of those cases where what you bring and expect from the film is going to directly impact how you react.  What must be made clear is that this is far from a character study, since the naysayers do have a point in that Daniel Day-Lewis doesn’t have much to work with.  In fact, I can’t even point to an arc in the Lincoln we’re given on-screen.  What’s at his disposal is less a character and more a role, a piece of history.  The man is literally a walking speech, a story waiting to happen (which the film pokes fun at).  We get so much of this that I actually wanted less talking and more silent emoting or brief responses between characters.  Our first scene with Lincoln actually accomplishes this in a proper way, making the President seem more human and less like a piece of theater.  It’s just a shame this doesn’t define his other key moments and might leave you constantly disillusioned.

If Lewis isn’t convincing us with his make-up and testing us with his speeches, then it’s Tommy Lee Jones who sweeps up our attention and laughing strings.  As Thaddeus Stevens, Jones is the political embodiment of a riot–and then some.  The man practically steals what short scene him and Lewis share as he proves to be that scumbag character you’d disparage in real life but want to elect as a character.

Even for a slow, two and a half hour movie, there are still points of Lincoln that feel tragically abandoned.  One key area is with Joseph Gordon Levitt as Lincoln’s son, who’s only given so much time and doesn’t leave much of an impression, save one bitter scene.  The film seems to subtly hint at the development of a relationship or dynamic between the two, yet this is never truly realized.  Granted, this asks another whole plotline, and all the while the focus is stuck on the 13th Amendment.  Still, we definitely could have had a few minutes more with Lincoln Jr. so as to get a plate without room for sides.  Most of the interactions take place between our political characters and, if not them, then Lincoln and Sally Field as his wife.  The two have a rough passion in both their roles and between each other, which makes the realization they’re married simultaneously convincing and shocking.

Clearly, Lincoln seems to be filmed and released for the sake of being a showcase for its talented cast.  This is all some of us really need in order to become immersed and, if your theater is anything like mine (people three to four times my age) then an applause is only inevitable.  But something tells me the reasons for such a reaction will vary from person to person.

 
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Posted by on November 17, 2012 in Blog, Film, Film Review, Movie Review, Movies, Review

 

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Quote Review: Wreck-It Ralph (2012)

“I’m bad, and that’s good. I will never be good, and that’s not bad.”

If Scott Pilgrim and Toy Story (somehow) had a child, Wreck-It Ralph would be its not-too-distant cousin.  Even those who’ve been completely sheltered from videogames will have a tough time resisting this plethora of puns and play-on-words.

 
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Posted by on November 15, 2012 in Film, Film Review, Movie Review, Movies, Review

 

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Shoutout Blog

In lieu of Weekly Stumblings, I’m providing a shoutout for a few blogs and reviewers I follow and recommend.  You may follow a few of these already, others might be new to you.  Either way, this will give you an idea of what keeps me coming back and checking the internet.

The Impulsive Buy: This is probably the most popular of my shoutouts, and with good reason.  This food and drink site has gone as far as releasing many of their reviews in an e-book.  In addition to a plethora of reviews thanks to their wonderfully talented staff, they let followers play their part in the Spotted on Shelves section, which lets us know what items to keep an eye out for on shelves.  Also, if you have your own blog or website, they might give you recognition in their Week in Reviews section, where their reviews and others across the internet are given some attention.  The Impulsive Buy is really an all-encompassing site that the fatty in you should have no trouble falling in love with.

http://www.theimpulsivebuy.com/

Candy Blog: The aptly titled Candy Blog is also very comprehensive, offering what you’d expect from a blog of said name.  They haven’t been posting nearly as much recently, but their archives seem nearly endless, with almost every regular candy item having already received a review or some form of recognition.

http://www.candyblog.net/

On Second Scoop: In many ways, On Second Scoop could be argued as the quintessential ice cream blog, despite missing a few essential flavors or selections.  Nevertheless, the blog has held a good run and continues to update at least twice per week.  Be sure to check these guys out.

http://www.onsecondscoop.com/

The Ice Cream Informant: Of all the shoutouts here, I’d say The Ice Cream Informant is the most overlooked.  This one-person blog updates every other day to almost every day, providing plenty of reviews for eye-catching ice creams while being arguably the most up-to-date ice cream blogger I’ve found.  It’s a shame comments are so scarce for this blog, because it deserves more attention and discussion.  Definitely check this blog out, especially if you’re an ice cream fan (which means ALL OF YOU!).

http://www.theicecreaminformant.com/

Freezerburns: Greg of Freezerburns has been supplying reviews for frozen foods for well over 500 episodes and has gradually grown to have a bit of a presence on YouTube.  Referred to as the “frozen food master,” he’s given his own take on the convenient but generally subpar selections in the freezer aisles.  Additionally, he took part in the Food Stamp Challenge recently, where he survived off $20 of food for five days.  If you haven’t already and want to know where your $2-$5 should go for frozen foods, definitely have a look through his videos.

http://www.freezerburns.com/wordpress/

http://www.youtube.com/user/Freezerburnsdotcom

Mark Kermode: Now we’re moving into film reviewer territory with Mark Kermode, who I just recently came across thanks to YouTube reviewer recommendations.  Mark is the exact definition of a wholesome, professional critic who knows his vocabulary as well as his movies.  His thoughts on movies are less reviews and more impressions and almost thematic observations, which gives him a nice edge compared to his peers.

http://www.bbc.co.uk/blogs/markkermode/

Chris Stuckmann: Like other video bloggers on YouTube, Chris has done well to come into his comfort zone, offering a fairly steady stream of movie reviews that always start with a brilliant opening.  Like other film reviewers I’m mentioning here, he usually gets to see early screenings which, combined with the fact he feels less like a critic and more like an everyday person, makes him an ideal go-to reviewer.

http://www.youtube.com/user/ChrisStuckmann

Jeremy Jahns: Jeremy is in a similar boat to Chris with how his reviews have come into their own.  On occasional he’ll provide a videogame review or reporting from a convention, but he’s most often recognized as a film reviewer.  In many ways he’s more composed and maybe professional than Chris but both are terrific sources to tide you over (or make waiting around more grueling) for hotly anticipated movies.

http://www.youtube.com/user/JeremyJahns

Schmoes Know: And finally we have Schmoes Know, who provide probably the most movie reviews of anyone I’ve suggested here.  I’m not as big a fan of them as the above three, but they’re still very entertaining and, similar to Siskel and Ebert (and Roeper), the fact we always have both of them reviewing the same movie means they can play off each other very well.  They’re humorous and an enjoyable duo, so I give them a full recommendation.

http://www.youtube.com/user/schmoesknow

 
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Posted by on November 12, 2012 in Blog, Review

 

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Skyfall (2012) Review

Mr. Bond certainly isn’t the individual who needs someone to handle introductions for him, much less by an English major working in retail.  Perhaps we can take it a step further with my admittance that Bond has had a…less than involved history with me.  Goldeneye, Die Another Day, Casino Royal, Quantum of Solace.  Not exactly a full blown history lesson, per se; but Bond can always be argued as a character of impressions, which his latest outing, Skyfall, charismatically delivers.

For the third time, Daniel Craig assumes the role of James Bond, and while his first time was certainly charming, that doesn’t mean the third is automatically exempt.  Thanks in large part to a sure-handed cast and crew, Skyfall repays us for the sins committed by the 2008 outing.  The film is less obnoxious and over-the-top, but still finds enough room to let these seep in a few times for the sake of fun.  Just don’t take that to mean Bond is all laughs (which are great here, mind you), because Skyfall leaves a path that is, as M and Mallory would put it, shadowy.

Being grounded in reality isn’t the first thing to come to mind with a Bond film, but Skyfall comes about as close as we’ll ever get to that.  Sure, the opening sequence just screams (impressive) stunt work, but again, for a Bond film this is some fairly down-to-earth stuff.  It’s an edge that is bound to put the cheesy Bond purists off, but even the less dedicated film viewer can appreciate the changes made.  To that degree there’s not as much to let Skyfall stand out from the crowd other than the franchise’s namesake.  Fortunately, director Sam Mendes and director of photography Roger Deakins have provided us an immaculately shot and detailed film.  I’m not one to tell you to spend extra money when it’s not necessary, but this is definitely a film to catch in IMAX if you get the chance.  If Deakins doesn’t get some Best Cinematography awards, I’m afraid I’ll lose all hope in “professional” film appreciation.

Bond has returned with a film that does well with the characters thanks to its liberties and (remaining) loyalties.  We’re left with a film that gives us a cloudy but assured look ahead for its successors, but whatever follows will have some big shoes to fill.

 
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Posted by on November 10, 2012 in Film, Film Review, Movie Review, Movies, Review

 

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Argo (2012) Review

The common verdict seems to be that Ben Affleck is now three-for-three with his directorial efforts.  Though I can’t speak for Gone Baby Gone, The Town is definitely one of my top picks from 2010 and a personal favorite.  Now imagine my excitement when Blu-ray.com, a website every bit as informative as they are off in their verdicts of new releases, gave the film a perfect 10.  Between that and some equally impressed reviews from other everyday reviewers I (don’t) know and trust and we have an excited little boy biking to his local theater.

Argo sets the stage with a brief but encompassing introduction so you’re not totally lost when going in.  I say this because, like so many other Oscar-hyped films, I was probably the only person in my theater under 60 years of age.  You have any idea how awkward and alienating it is to be the 22 year-old in that situation?  It’s weird as hell.

After our informal introduction things kick into gear with protesting in the streets which essentially leads to six people hiding in Iran with a Canadian.  And South Park would have you believe Canada have done nothing important; Matt and Trey might need a new history book for an upcoming apology episode.  Cut to America and we have Ben Affleck playing Tony Mendez, who gets the brilliant bad idea to make a fake movie so the six escapees can, well, escape.  Again.

This is a movie that almost comes off like you need to pay more attention to it than is necessary.  The film is fundamentally a suspense thriller with the occasional political and social commentary.  But if that’s not your thing PLEASE don’t be turned off, because these are more supplementary to the plot at-hand.  To that degree this is a very solid film, one that knows when to step outside of the story and when to return.  Tension rides high, much like The Town, and the climax definitely keeps you on-edge.  Characters are also detailed to just the right degree which, given the two-hour runtime, is saying quite a lot when you have almost a dozen people to follow.  The real standouts, however, are Ben Affleck and the irresistibly entertaining Alan Arkin, who almost feels like stark contrasts of each other.

Now there has been A LOT of Oscar hype behind this movie with critical acclaim to boot.  As you can tell, I’m definitely in the fan crowd for this movie.  But as far as being the best movie of the year I have to raise up my hands and say “whoa, let’s back up for a moment.”  Argo is definitely another strong offering for 2012 and proof that this has been a fantastic year for film, but I wouldn’t say it’s contending for my Top Film spot of 2012.  Heck, I wouldn’t even place it on-par with The Town.  Like I said, this is solid, satisfying entertainment in the way a more or less gritty suspense film should be.  Definitely well made and a Best Director nomination should at least be a guarantee here.  Just don’t expect this to crack my Top 5 of the year if the movies I still haven’t seen are as good as I expect.

 
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Posted by on October 17, 2012 in Blog, Film, Film Review, Movie Review, Movies, Review

 

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